Are you looking for a jazz guitar amp? Well, you’ve come across the right article.
In this article, we are going to review the best jazz guitar amplifiers on the market.
When a jazz guitar player is looking for an amplifier, he is looking for tone, sustain, and wattage. Moreover, if you are into jazz, you would prefer a great clean sound, right?
Well, of course, if you plan to gig with the amp that you are ought to buy, you are going to be interested in its weight too.
Dive in, and learn about the best jazz guitar amplifiers’ specs, pros, and cons.
Roland JC-120 Jazz Chorus
The legendary Roland Jazz Chorus amp saw the brightness of the day in 1975, and it immediately put solid-state amps on a pedestal.
Clearly, it is the amp that shaped the sound of many guitar heroes both in the jazz and the rock world.
We are talking about a 120-Watt combo amp with two twelve-inch speakers.
It has two channels – one clean, and one with effects.
Each of the two channels has two inputs – Hi, and Low. Also, both of the channels have a Bright switch.
While the first channel has only Volume, Treble, Middle, and Bass control knobs, the second channel has Distortion, Reverb, and Chorus/Vibrato switch and Speed and Depth control knobs. Speaking of the effects, we must mention that this amp has a true Spring-Reverb and true Stereo Chorus effect.
On the back of the amp, there is the effects-loop section, the footswitch ports for each of the effects, and the Right/Left line outs.
Well, it is no wonder why legends like George Benson, Pat Martino, Robert Fripp, Albert King, Andy Summers, Joe Perry, and Jeff Buckley have all played through the Roland Jazz Chorus 120!
Definitely, one of the best jazz guitar amplifiers ever!
- Legendary amp!
- Fantastic effects;
- Amazing clean sound;
Peavey Classic 30
(Best jazz guitar amplifiers)
First and foremost, we must tell you that this is a 30-watt all-tube combo amp with four EL84 tubes in the power amp and three 12AX7 tubes in the preamp. It comes with a twelve-inch Celestion speaker.
Then, we have the control panel, which consists of Normal Pre-gain, Post-gain, Reverb, Bass, Middle, and Treble control knobs, a channel switch, a booster button, Send/Return jacks, and of course, Standby and Power switches.
It must be noted that the Reverb provided by this amp is a true spring-reverb, which sound is highly desirable among guitarists.
We also must mention the Ext. Speaker out, and the footswitch ports for the effects, that can be found on the back of the amp.
Due to its compactness, great sound, and awesome specs, the Peavey Classic 30 is a perfect amp for working musicians amp.
- Great tonal characteristics;
- Won’t break the bank;
- No cons!
Fender 68’ Custom Twin Reverb
(Best jazz guitar amplifiers)
This 85-watt combo amp has four 6L6 power tubes, and six (four 12AX7/two 12AT7) preamp tubes, which are responsible for its natural and warm sound. The 68’ Custom Twin Reverb has two channels, Custom and Vintage. And while the Custom channel is actually has a modified Bassman circuit, the Vintage channel will provide the classic twin reverb sound. The 68’ Custom Twin Reverb is actually two amps in one.
The control panel has two clusters of control knobs, the first one for the Custom, and the second one for the Vintage channel. Each of the channels has two inputs, a bright switch, and Volume, Treble, Middle, and Bass control knobs. Plus, the Vintage channel has a Reverb, Level, and Intensity (Vibrato) control knobs in its cluster. However, the Vibrato control knobs are also affecting both of the channels. The power and the standby switches are set on the back of the amp, where you can also find the Ext. Speaker out and the footswitch port.
- Fantastic sound;
- Two amps in one;
- Loud Hum;
Are you are interested in buying the best jazz guitar amplifier that will suit your needs as an acoustic guitarist?
Well, it seems like you are looking for the Roland AC-60 amp.
The Roland AC-60 is a compact 60-watt stereo combo amp. It has two 6.5-inch speakers.
Actually this amp has two channels, the first one with TRS input and Piezo/Magnetic switch for guitar, and the second one with XLR/TRS input and a microphone/line switch.
Of course, each of the channels has separate Volume, EQ control knobs, and Chorus on/off switch.
On the right side of the amp, there is the effects control cluster, the Anti-Feedback cluster, and the Master control knob.
Also, on the back of the amp, you can find the effect's footswitch ports and all sorts of outputs.
Obviously, if you are a traveling acoustic guitarist you will fall in love with this amp.
- Great sound for acoustic guitar and vocals;
- In contrast to the chorus, the reverb affects both channels, and can’t be used on each channel separately;
Fender '65 Princeton Reverb (Best Jazz Guitar Amplifiers)
The Fender ’65 Princeton Reverb is a modified/reissued model of the honored Princeton Reverb amp of the sixties. This fantastic-sounding combo provides us with 15 watts of power, through the 10-inch Jensen speaker. It is an all-analog amp, with two 6V6 tubes and one 5AR4 (Rectifier) tube in the power tube. Furthermore, it has three 12AX7 and one 12ATz preamp tubes. On the control panel of this amp, you will find control knobs for Volume, Treble, Bass, Reverb, Speed, and Intensity. Whereas on the back of the amp, you will find the power switch, the External Speaker output, and the footswitch jack.
As one would expect from an all-analog amp, this amp has a spring reverb and tube-vibrato. This amp is perfect for small gigs, studio-recordings, rehearsals, etc… Due to the fact that it is an all-tube amp, the Princeton ’65 Princeton is very warm and natural-sounding.
- All-tube/All-analog design;
- Fantastic sound;
- There are chances of receiving a defective amp;
Fender George Benson Hot Rod Deluxe
Of course, when an amp from Fender shares its name with one of the greatest jazz guitar players of all time, that amp is probably one of the best jazz guitar amplifiers of all time.
Actually George Benson helped with the designing of its signature amp, so yeah, this amp sounds absolutely amazing for jazz. The Fender George Benson Hot Rod Deluxe is an all-tube combo amp with 40 watts of power and a twelve-inch Jensen speaker. It has two 12AX7 power tubes and one 12AT7 tube in the preamp. On its control panel, you can find the Standby and the Power switches, two inputs, a Normal/Bright, Channel-Select and “More Drive” button-switches, and Volume, Drive, Treble, Bass, Middle, Master, Reverb, and Presence control knobs.
Additionally, it has a Preamp-out, Power amp-in, and Footswitch jack, all set on the control panel.
- Amazing sound;
- Wonderful looks;
- While it might not be a con, this amp is strictly an amp for jazz music. If you are looking for that “signature Fender sound”, stay away from this amp;
While all of these amps can be great for playing jazz guitar, and everybody needs to make a decision for himself, our best pick is definitely the Roland JC-120.
Without a doubt, it is the best solid-state amp when it comes to clean sound.
And when it comes to jazz, we can all agree that clean is the way to go.
Well, in the end, it is very important to develop your own sound, and while a lot of people will claim that it all comes from the fingers (which is true to some extent), we must agree that a versatile amp like the Roland Jazz Chorus can be helpful.
You have to hear the Roland Jazz Chorus 120 amp in person…
Unfortunately, there aren’t a lot of professionally recorded Roland JC-120 reviews on the internet, and to really grasp the things we are talking about this amp you will have to hear it in person. Still, we managed to find one video that represents the sound of this amp in an appropriate manner…
Take a listen: